I'm noticing that some of the notes are off in the second arpeggio in the main song. I know it's not a big problem, but yeah, just wanna let you know. Also, I got the DVD and I'm planning on ripping some of the sound effects from the beginning of the movie to see if we can finally get some clean sounds.
I don't have a better version yet. The movie version is ok, but it is different from the arcade version. Benjamoose created the one i'm using now, but I haven't been able to contact him...
Okay, awesome, I'll go ahead and get started on some of those sounds
Just curious, how is the arcade version different from the movie version?
I made some observations about this after finding a more complete movie soundtrack. I get the impression that the song used for the arcade and second Flash versions is an unfinished version of the one from the movie. If you listen to the beginning of the song in the real game, before the melody comes in, you'll hear it go through eight chord changes altogether:
C major | A-flat major | C major | F major | C major | A-flat major | B-flat major | C major
But then the melody only goes through the first four chords, the C-Aflat-C-F part, twice, making it send repetitious and unresolved. In the movie, however, the melody continues on using the following four chords, resolving nicely on some long notes. Furthermore, before it gets to the part that matches what you hear in the real game, you hear a version of that tune where the top note is an octave lower, basically swapping the melody with the harmony. This technique is used in other pieces of the Fix-It Felix, Jr. intro, flipping the lower square wave up an octave to create the next strain. This is how I was able to extrapolate what the full loop might have sounded like if the composer didn't then add a strange early tag ending to the music to try to make it flow better into "You fixed it!". You can hear what I made in
PulseBoy by loading
this PBP file, or just listen to
the WAV file if you haven't got the time. Incidentally, it would be nice if someone could recommend the best application for easily recreating music like that heard in Fix-It Felix, Jr. and TurboTime, as PulseBoy doesn't even offer simple things like sawtooth waves or actual 8-bit noise channels as opposed to synthesized drums.
(For evidence that the movie's soundtrack has a tag ending that shouldn't be in a real loop, there's this B-roll video,
whose right stereo track contains a preliminary version of the soundtrack from... somewhere. Here, the gameplay music proceeds exactly like the real game's music does--supporting my guess that the defictionalized games are unfinished in this respect--except then it has its own weird tag ending to lead into the victory songs. And a bit ironically, the movie skips over the C-Aflat-Bflat-C part of the intro, perhaps to get more of the melody in sooner, while it already has the bass enter for the C-Aflat-C-F part. So, I just left the bass in the whole time for my impression of it.)
Strangely, the "I can fix it!" tune and the "Level complete" tune sound more complete in the real game than in the movie. I don't know if they had to remove some notes to tighten up the timing, or if the idea is that old FIFJ machines contain sound glitches, or what--but the idea of sound glitches seems to be supported by some videos of the real arcade machine I saw. In one, the "I'm gonna wreck it!" song sounded warped and weak, as if a sound channel was missing, and it ended much too early. In another, it sounded as if the music during gameplay was getting scrambled or restarted randomly. So I'd say just watch out for that, since it might be an attempt to simulate wear and tear, but to me it's just ugly. I once tried listening to the movie's "I can fix it!" theme slowed down, and I noticed that there's a quick A-flat tone that probably shouldn't be there, as if a pianist's finger slipped onto the last note from it.

One more fun thing to listen for in the movie is when Felix and Calhoun come up with the solution for getting out of the quicksand, the background music is an arrangement of this same tune, complete with the B-flat-to-C resolution at the end.