It's hard to say how it would react in that environment. I tried to pull up the MSDS on Krylon's page and it won't come up. A little disconcerting if you ask me. I found the MSDS at
msds.com but I don't feel like registering to see it. In any case, I would guess it's some kind of acrylic.
If I understand its intended purpose. It's designed for art applications such as pottery and flower preservation. So it
shouldn't yellow, but I wouldn't bank on that. With care yellowing shouldn't happen for a long long time.
Long boring read, you may exit post at this timeKeep this in mind. Degradation is inevitable given the environment these things are in. Watching the projects unfold here, it's obvious that not everyone considers (or is capable of) extended term preservation of their cabs. Before any of you pipe in with your criticism, many cabs used incandescent bulbs for their light source. That's a nice hot source right there. But many then move into florescent (a common alternative) and you remove a huge portion of heat, but you then add in another problem. UV damage. UV damage isn't always immediately obvious and many of the layered glass paints seems to serve to protect the art from some fading. LED's are better as long as they don't attempt to use UV in their formula to generate light (UV LEDs exist). Organizations like
Xeroderma Pigmentosum Society have ample concern about UV sources. Archive groups have tons of research regarding UV and heat damage (they're far more ample than XP information).
Then you have outside influences depending on the cab design. Overhead incandescent lamps are a source of UV source. The HVAC is almost always going to create a temperature differential between the outside of the cab and what's inside. Given the fact that many of us often keep our cabs in less than ideal environments (garage for instance) these temperature swings are even more prominent.
Let's assume you never power the marquee light. That doesn't matter. Archivists depend on a closed box to help regulate the environment of the documents. If the outside temperature is a steady 60 degrees. Then the inside of the box will also be 60. But if the temperature and humidity were to suddenly rise to say... 80 degrees. The inside of the box will not rise as quickly. The temperature increase is a little bit more gradual since the box helps act as an insulator. A marquee is weird since you have some situations where the inside changes faster than the outside and you have the outside that changes faster than the inside. The problem with a marquee is the marquee itself is part of the box and that box sometimes has holes cut for venting the excess heat (from the incandescent bulbs). You power on that marquee and you are going to get the rapid temperature swings which is what you
don't want if you are interested in preservation. Incandescent are going to be the fastest and the worst, followed by flourescents and finally LEDs. Leave that sucker on then the environment is going to have those wild temperature swings in comparison to the box.
Based on what I know the degradation process isn't something that happens overnight, but anywhere from weeks to years. So a twenty+ year old marquee cracking like that is to be expected. Modern inks and paints have UV
resistant formulas to slow the process. But it's resistant, not UV proof. UV damage is cumulative. So something left in direct path of a UV source will eventually degrade, it's just a matter of
when.
Yeah, the whole thing is kind of ugly. There are possible solutions, but I've never seen anyone else ever concern themselves with anything other than heat generation. So I've never seen anyone design marquees around preserving them other than the obvious means (removing excess heat for one).